alice cooper

Known onstage for his shock-rock theatrics and controversial villainous stage role set to a melodic soundtrack of generally classic rock, and for his social and witty persona offstage, he is universally recognized as one of the most accomplished and influential artists in rock music, inspiring many later musicians and helped shape the sound and look of punk rock and early heavy metal, and is credited as being the first to bring storylined theatrics to the rock/pop concert stage, in the late 1960s. Cooper is also a film actor, golfing celebrity, restauranteur, and a popular radio DJ since 2004 with his US classic rock show "Nights With Alice Cooper".

"Alice Cooper" was originally the name of Furnier's band; in 1974 he legally changed his own name to Alice Cooper for a successful solo career. Since their first single release in 1966 when known as "The Spiders", the Alice Cooper group broke into the international music mainstream with the 1972 hit "School's Out" and reached their commercial peak with the 1973 album "Billion Dollar Babies". Cooper embarked on his solo career with the popular 1975 concept album "Welcome To My Nightmare" aided by classic rock radio staple "Only Women Bleed", and received a career resurgence in 1989 with the hit "Poison". He still releases albums to critical acclaim and performs onstage to this day.

Early life and career

Vincent Furnier was born in Detroit, Michigan to Ether Moroni Furnier and Ella Mae McCart. His grandfather, Thurman Sylvester Furnier, was an ordained Apostle of the Church of Jesus Christ (Bickertonite). Vincent's father was an ordained Elder. Vincent has some distant French Huguenot ancestry; the remainder of his ancestry was English and Scottish. After a series of childhood illnesses, Vincent and the Furniers moved to Phoenix, Arizona.

As a teenager Furnier attended Cortez High School in Phoenix. In 1965 Furnier was eager to take part in the local annual "Letterman's" talent show and gathered fellow cross-country track teammates from the school to form a group for the show. They named themselves "The Earwigs", and as they didn't know how to play any instruments at the time, they dressed up like the Beatles and mimed their performance to Beatles songs. As a result of winning the talent show and loving the experience of being onstage, the group immediately proceeded to learn how to play instruments. Furnier could sing and would learn the harmonica, Glen Buxton - guitar, Dennis Dunaway - bass guitar, and Jim Speers - drums. Musically, the group were inspired by British bands such as The Beatles, The Rolling Stones, The Who, The Kinks, Pink Floyd, and in particular The Yardbirds.

In 1966, Furnier and his band members graduated from Cortez High School and renamed themselves "The Spiders". With the addition of new member Michael Bruce, the band scored a local #1 radio hit with "Why Don't You Love Me", an original composition from their first single release. In 1967 the band renamed themselves "The Nazz" and drummer Jim Speers was replaced by Neal Smith. However, upon learning that Todd Rundgren also had a band called The Nazz, the band were again in need of another stage name. Furnier recognized that the group needed a gimmick to succeed, and that other bands were not exploiting the showmanship potential of the stage. He subsequently chose the band's name to be "Alice Cooper" and adopted this stage name as his own. Early press releases claimed that the name was agreed upon after one of Cooper's Ouija sessions, and learning that he was a reincarnation of a 17th century witch of the same name. However, Cooper in later interviews has said the name actually came out of thin air conjuring an image of "a cute, sweet, little girl with an hatchet behind her back." It was once said to be an inside joke associated with a Mayberry RFD character. Nonetheless, at the time Cooper and the band figured that the concept of a male playing the role of an androgynous witch, wearing tattered womens' clothing and make-up, performing psychedelic rock music before teenagers accompanied by psychotic Béla Lugosi/Vincent Price horror-themed acts would definitely have the potential to cause quite a social controversy, and they weren't wrong.

The classic Alice Cooper group line-up consisted of singer Alice Cooper, lead guitarist Glen Buxton, rhythm guitarist Michael Bruce, bassist Dennis Dunaway, and drummer Neal Smith. All of the band members except Neal were on the Cortez High School cross-country track team. Original drummer, Jim Spears, was the team equipment manager. Many of Alice's stage "effects" were inspired by the track coach, Emmit Smith, who also was the journalism teacher. One of Smith's class project was to build a working guillotine for slicing watermelons. Cooper, Buxton and Dunaway were also art students, and their admiration of the works of surrealist artists such as Salvador Dali would further inspire their future stage antics.

After moving to Los Angeles, California in 1968, the band enlisted Shep Gordon as their manager, who managed to strike an audition for the band with rock star and renowned guitarist Frank Zappa, who was looking to sign up bizarre music acts for his new record label, Straight Records. For the audition Zappa told them to come to his house "at 8:00", and the band mistakenly assumed he meant 8:00 AM. Waking Zappa up from his slumber, a band that was willing to play that particular brand of psychedelic rock at 8 in the morning, a time unbeknownst to most in the rock music world, impressed him enough to sign the band to a three-album deal. Alice Cooper's first album Pretties For You was released in 1969 and, though it touched the US charts for one week at #193, was ultimately met with critical and commercial failure.

Even though the band incorporated theatrics into their stage act from the outset, a chance case of the press misreporting an unrehearsed stage routine involving Cooper and a live chicken led to the band changing, tack—capitalizing on tabloid sensationalism, and creating a new subgenre, shock rock. Cooper claims that the "Chicken Incident", which took place at the Toronto Rock 'n Roll Revival concert in September 1969, was an accident. A chicken somehow made its way onstage during Alice Cooper's performance, and not having any experience around livestock, Cooper thought "Chickens have wings, so they must be able to fly" so Cooper picked it up and threw it out over the crowd, with the intention of having the chicken fly away. But chickens cannot fly particularly well, and the bird plummeted into the crowd and was reportedly ripped to shreds by the rowdy audience. The next day the incident made the front page of many national newspapers. Zappa phoned him shortly afterwards to ask if the story, which reported that Cooper had bit the head off the live chicken and drank its blood onstage, was true. Cooper denied the rumor, whereupon Zappa told him, "Well, whatever you do, don't tell anyone you didn't do it". [1] Zappa considered that kind of publicity priceless for the band.

Despite the infamy the band received from the Chicken Incident, their second album, Easy Action released in 1970, met with the same fate as its predecessor. Warner Bros. Records then purchased Straight Records from Frank Zappa and the Alice Cooper group was set to receive a higher level of promotion with this major label. It was around this time that the band, fed up with the Californians' indifference and general dislike to their act, relocated base to Cooper's birthplace, Detroit, where their bizarre stage act was much better received. Detroit would remain the act's steady home base until 1972. "LA just didn’t get it. They were all on the wrong drug for us. They were on acid and we were basically drinking beer. We fit much more in Detroit than we did anywhere else..." [2]

1970s

In 1970, after their first two albums on Straight Records, the band was teamed up, by the insistence of their new label master Warner Bros, with fledging producer Bob Ezrin for their third album, the final of three in their original Straight Records contract, to be entitled Love It to Death. This album would be the first of more than ten Alice Cooper group and solo albums done with Ezrin who is credited with having helped create and develop the band's definitive sound. Their first hit single soon followed, 1971's "I'm Eighteen". The band's trailblazing mix of glam and increasingly violent stage theatrics stood out amongst bearded, denim-clad hippy bands by sporting tight sequined costumes by the prominent rock fashion designer Cindy Dunaway (Pink Floyd, The Who), and stage shows that involved mock fights and Gothic torture modes being imposed on Cooper whose androgynous stage role now incorporated a villainous side posing a threat to society. With Cooper needing to be punished for his immoral ways, the first execution instrument was incorporated into the show - the Electric Chair. Cooper's outspoken views on the Vietnam War stood out no less, as Cooper was always staunchly pro-war—in stark contrast to the vast majority of musicians at the time, who were rebelliously anti-war^[1]. The success of the band's single, the album, and their tour of 1971, which saw their first tour of Europe to massive success (audience members reportedly included Elton John and David Bowie), was enough encouragement for Warner Bros to offer them a new multi-album contract.

The follow-up album Killer, released in late-1971, continued the commercial success of "Love It To Death" and included further singles success with "Under My Wheels", "Be My Lover" in 1972, and "Halo Of Flies" which was a Top 10 hit in Holland. Thematically, "Killer" expanded on the villainous side of Cooper's androgynous stage role with its music more becoming the soundtrack to the group's morality-based stage show, which by then featured a Boa Constrictor hugging him onstage, the murderous axe chopping of bloodied "dead babies", and the choice of execution had developed into death by hanging - The Gallows. By mid-1972 the Alice Cooper show had become infamous, what they really needed then was a smash hit. That summer saw the release of the appropriately-titled single School's Out. It went Top 10 in the US, was a #1 single in the UK, and remains a staple on classic rock radio to this day. Their smash hit had arrived. School's Out the album reached #2 on the US charts and sold over a million copies. The band now relocated base into their new mansion in Conneticut. With Cooper's onstage androgynous persona completely replaced with brattiness and machismo, the band's travelling carnival of filth and terror cemented their success with their subsequent US and European tours, winning over idol fans in droves while horrifying parents and outraging the social establishment. Beneath the surface, however, the repetitive schedule of recording and touring had begun to take its toll on the band. By then, Cooper, who was under constant pressure of "getting into character" for that night's show, was consistently sighted nursing a can of beer.

Billion Dollar Babies, released in February 1973, was the band's most commercially successful album, reaching #1 in both the US and UK. "Elected", a 1972 Top 10 UK hit included on the album which inspired one of the first MTV-style story-line promo videos ever made for a song (three years before Queen's promo video to "Bohemian Rhapsody"), was followed by two more UK Top 10 singles, "Hello Hooray" and "No More Mr Nice Guy", the latter of which was the last UK single from the album; it reached #25 in the US. The title track, featuring guest vocals by Donovan, was also a US hit single.

With a string of successful concept albums and several hit singles, the band continued their gruelling schedule and toured the US once again. Attempts by politicians and pressure groups to ban their shocking act only served to fuel the myth of Alice Cooper and generate more audience interest. Their 1973 US tour broke box office records previously set by The Rolling Stones and raised rock theatrics to a new level. The multi-level stage show by then featured numerous special effects including Billion Dollar Bills, decapitated baby dolls and mannequins, a Dental psychosis scene complete with dancing teeth, and the ultimate execution prop and highlight of the show - The Guillotine. The guillotine and other stage effects were designed for the band by magician James Randi, and during some of the shows, Randi appeared onstage as the executioner. By this stage, the Alice Cooper group had reached its peak in every way and were the biggest band in the industry. Cooper's stage antics would influence later bands like KISS, Blue Öyster Cult, and W.A.S.P..

Muscle of Love, released at the end of 1973, was to be the last studio album from the classic line-up, and marked Alice Cooper's last UK Top 20 single of the 1970s with "Teenage Lament 74". A theme song was recorded for the James Bond movie The Man with the Golden Gun, but a different song of the same name by LuLu was chosen instead.

By 1974, the "Muscle Of Love" album had not matched the top-charting success of its predecessor and with constant disagreements within the band, with Cooper wanting to retain the theatrics in the show that had brought them so much attention whilst the rest of the group thought it should be toned down and concentrate more on the music which had given them credibility, the band decided to take a much-needed hiatus for the first time. During this time, Cooper relocated back to Los Angeles and started appearing regularly on TV shows such as Hollywood Squares, and Warner Bros released the Alice Cooper's Greatest Hits compilation album which performed better than "Muscle Of Love", reaching into the US Top 10. However, the band's feature film Good To See You Again, Alice Cooper (mainly concert footage with a faint storyline and 'comedic' sketches woven throughout), released on a minor theatrical run mostly to drive-in theaters, saw little box office success.

As some of the band members had proceeded in recording solo albums, Cooper decided to do the same. Collaborating with producer Bob Ezrin and Lou Reed's guitarist Dick Wagner, and supported by Lou Reed's backing band, the project eventually resulted with Welcome To My Nightmare. Spearheaded by the US Top 20 hit "Only Women Bleed", a ballad, the solo album was released by Atlantic Records in March 1975 and became a Top 10 hit for Cooper. It was a concept album, based on the nightmare of a child named Steven, featuring narration by classic horror movie film star Vincent Price (several years before he guested on Michael Jackson's "Thriller"), and served as the soundtrack to Cooper's new stage show, which included more theatrics than ever (including a 8-feet tall furry Cyclops whom Cooper decapitates and kills). Accompanying the album and stage show was the TV special "The Nightmare", starring Cooper and Vincent Price in person, which aired on US prime-time TV in April 1975 and was regarded as another groundbreaking point in rock history as the first rock music video album ever made (it was later released on home video in 1983 and gained a Grammy Awards nomination for Best Long Form Music Video). Adding to all that, a concert film, also called Welcome to My Nightmare and filmed live at London's Wembley Arena in September 1975, was released to theatres in 1976. Though it failed at the box office, it later became a midnight movie favorite and a cult classic. Such was the immense success of this solo project that Cooper decided to continue as a solo artist and the original band was defunct. It is during this time that he co-founded the drinking club The Hollywood Vampires, contributing to his ample appetite for alcohol.

Following the 1976 US Top 20 hit "I Never Cry", another ballad, two less acclaimed studio albums, Alice Cooper Goes to Hell and Lace and Whiskey, and another ballad hit, the US Top 10 "You and Me", it became clear from regularly shambled performances on his US tour of 1977 that the musician was in dire need of specialized help with his alcoholism. Following the tour, Cooper had himself hospitalized into a New York sanitarium for treatment, during which time the live album The Alice Cooper Show was released. At his alcoholic peak some fans rumored that he was up to two cases of Budweiser and a bottle of whiskey a day. His experience in the sanitarium was the inspiration for his 1978 semi-autobiographical album From The Inside, which Cooper co-wrote with Bernie Taupin. The release spawned another US Top 20 hit "How You Gonna See Me Now", yet another ballad, based on his fear of how his wife would warm to him after hospitalization. The subsequent tour's stage show was based inside an asylum, and was filmed for Cooper's first home video release, "The Strange Case of Alice Cooper", in 1979.

Around this time, Cooper led celebrities in raising money to remodel the famous Hollywood Sign in California. Cooper himself chipped in over $27,000 for the project, doing it in memory of friend and comedian Groucho Marx.

1980s

Cooper's albums from the beginning of the 1980s, Flush the Fashion, Special Forces, Zipper Catches Skin, and DaDa, were not as commercially successful as his past releases. "Flush the Fashion", produced by Queen producer Roy Thomas Baker, has a sparse, edgy musical sound that was so unexpected as to have been truly baffling to long-time fans, but yielded the US Top 40 hit "Clones (We're All)". The album "Special Forces" featured a more accessible form of New Wave style, and included a new version of "Generation Landslide". The following album, "Zipper Catches Skin" was a more power pop-oriented recording, with lots of high-energy guitar-driven quirky songs. These albums continued with the experimental "New Wave" sound with energetic results, while 1983 marked the return collaboration of producer Bob Ezrin and guitarist Dick Wagner with the haunting epic "DaDa", the final album in his Warner Bros contract.

In 1983, after the recording of "DaDa", Cooper was re-hospitalized for alcoholism. In a deathly state of health Cooper relocated back to Phoenix, Arizona, to the support of family and old friends and to save his marriage from falling apart. Alice was finally clean and sober by the time "DaDa" and "The Nightmare" home video (of his 1975 TV Special) were released in the fall of that year, however both releases performed under expectation. Even with "The Nightmare" scoring a nomination for 1984's Grammy Award for Best Long Form Music Video (he lost to Duran Duran), it wasn't enough for Warner Bros to keep Cooper on their books. In 1984 Alice Cooper was, for the first time in his career, a free agent again.

After a year on hiatus, and starring in the Spanish B-grade horror movie production Monster Dog, Cooper sought to pick up the pieces of his musical career and, in 1985, met and began songwriting with guitarist Kane Roberts. Cooper was subsequently signed to MCA Records, and appeared as guest vocalist on Twisted Sister's song "Be Chrool To Your Scuel". A video was made for the song, featuring Cooper donning his black snake-eyes make-up for the first time since 1979 and for the first time sober, however any publicity it would have given to Cooper's return to the music scene was cut short as the video was promptly banned due to its graphically gory make-up, by Tom Savini, of the innumerable zombies which starred in it and their appetite for human flesh!

In 1986 Alice Cooper officially returned to the music industry with the album Constrictor. Cooper had a hit with the theme song "The Man Behind the Mask" for the movie Friday the 13th Part VI: Jason Lives{1986}, as well as the fan favorite "Teenage Frankenstein". The album contained a heavier metal-sounding album which had more (but still very limited) success, followed by Raise Your Fist and Yell (1987) which had an even rougher sound than its predecessor, as well the Cooper classic "Freedom". Both Constrictor and Raise Your Fist and Yell were recorded with Kane Roberts & bassist Kip Winger, both of whom would leave the band by the end of 1988 (although Kane Roberts played guitar on "Bed Of Nails" on 1989's album Trash). Kane Roberts would go on as a solo artist, while Kip formed Winger.

Also in 1986, Megadeth was asked to open for Alice Cooper during current US tours. After noticing the hardcore drug and alcohol abuse in the band, Cooper personally approached them to try and help them control their "demons", and stayed close to front man Dave Mustaine ever since. Mustaine considers him his "Godfather" [VH1 Behind the Music 2001].

In 1987, Cooper made a brief appearance as a vagrant in the horror movie Prince of Darkness, directed by John Carpenter. His role had no lines and consisted of menacing the protagonists and impaling one of them with a bicycle frame. Cooper also appeared at WrestleMania III, escorting wrestler Jake "The Snake" Roberts to the ring. After the match was over, Cooper got involved and threw Jake's snake Damien at The Honky Tonk Man's manager Jimmy Hart. Jake considered the involvement of Cooper to be an honor, as he idolized Cooper in his youth and has remained a fan of Cooper.

In 1988 Cooper's contract with MCA Records expired and he signed with Epic Records. Then, in 1989, his career finally experienced a real revival with the Desmond Child-produced album Trash, which spawned a hit single "Poison", which reached # 2 in the UK and #7 in the US, and a worldwide arena tour.

1990s

In 1991, amidst the grunge rock explosion, Cooper's pop metal album Hey Stoopid was released to a mediocre response, as well as the home video documentary "Alice Cooper: Prime Cuts" which chronicled his career story up to that point. He also appeared on the Guns N' Roses album Use Your Illusion I, singing backup on the track "The Garden". He also made a brief appearance as the abusive stepfather of Freddy Krueger in the Nightmare On Elm Street film Freddy's Dead: The Final Nightmare (1991). Cooper toured USA as part of the ill-fated "Operation: Rock n' Roll" festival tour which was canceled halfway through, however his solo tour of Europe was a success.

In 1992, Cooper made a famous cameo in the movie Wayne's World, in which he discusses the history of Milwaukee in some depth. The movie's main characters Wayne and Garth held Cooper in extremely high regard, chanting "We're not worthy!"

In 1994, Cooper released The Last Temptation, a concept album dealing with issues of faith (reflecting Cooper's own recent conversion to born-again Christianity), temptation, alienation, and the frustrations of modern life. Concurrent with the release of The Last Temptation was a three-part comic book series written by Neil Gaiman, fleshing out the album's story. Music Videos were made for "Lost In America" and "It's Me", the most successful songs off the album. This was to be his last album with Epic Records.

In 1995, Cooper toured through South America for the first time since 1974.

In 1996, Cooper sang the role of Herod on the London Cast soundtrack of the musical Jesus Christ Superstar, and toured USA for the first time in five years. He would continue to tour internationally every year from then on to the present day.

In 1997, the live album A Fistful of Alice was released, which was recorded the previous year at Sammy Hagar's "Cabo Wabo" club in Cabo San Lucas, Mexico. Cooper also recorded the intro narration for the Insane Clown Posse album The Great Milenko.

In 1999, the four disc box set The Life and Crimes of Alice Cooper was released. It contained the definitive authorized biography of Cooper, Alcohol and Razor Blades, Poison and Needles: The Glorious Wretched Excess of Alice Cooper, All-American, which was written by longtime Creem magazine Canadian Editor Jeffrey Morgan.

2000s

A pause between studio albums, lasting for six years, ended in 2000 with Brutal Planet. Brutal Planet was a return to horror-lined heavy metal with a brutal injection of industrial rock, with subject matter thematically inspired by the brutality of the modern world, although set in a post-apocalyptic future. The accompanying world tour was a resounding success, introducing Alice Cooper to a new audience and produced the live home video "Brutally Live" in 2001. The album was succeeded by the sonically-similar sequel Dragontown, which has been described by Cooper as being "the worst town on Brutal Planet". Like The Last Temptation, both Brutal Planet and Dragontown were albums which developed out of Cooper's personal faith perspective.

In 2003, Cooper again adopted a leaner, cleaner sound for his critically acclaimed album The Eyes Of Alice Cooper. Recognizing that many current bands were having great success with his former sounds and styles, Cooper worked with a somewhat younger group of road and studio musicians who were very familiar with his oeuvre of old. However, instead of rehashing the old sounds, they updated them, often with surprisingly effective results. The resulting Bare Bones tour adopted a less-orchestrated performance style that had fewer theatrical flourishes and a greater emphasis on musicality. The success of this tour helped support the growing recognition that the classic Cooper songs were exceptionally clever, tuneful, and unique.

Cooper received a star on the Hollywood Walk of Fame in 2003. It is located at the corner of Orange Drive and Hollywood Boulevard.

On January 26, 2004, Cooper's radio show, Nights with Alice Cooper, began airing in several US cities. The program showcases classic rock, Alice's personal stories about his life as a rock icon, obscure rock history facts, as well as interviews and special segments like the "OffBEAT News" with his counterpart, Mistress Kitty.

In 2005, Cooper released his 24th studio album Dirty Diamonds. This first release on New West Records (for America) was released on August 2, 2005 in the U.S. and July 4, 2005 in Europe. It is a continuation of the songwriting approach the band used on The Eyes of Alice Cooper. Dirty Diamonds is Cooper's highest charting album since 1994's The Last Temptation, coming in at #169 on The Billboard 200. [3] The Dirty Diamonds tour launched in America in August 2005.

On May 14, 2006, Cooper was given the key to the city of Alice, North Dakota. With a population of 56, Alice is located approximately 50 miles from Fargo, where Cooper had a concert scheduled on May 15. He also made an interview with a personality of KKBX "The Box 101.9", the radio station that broadcasts his radio show in Fargo, along with "one red paperclip".

Cooper owns two rock and roll clubs/restaurants called Alice Cooper'stown, located in Phoenix and Cleveland. He is an avid golfer (handicap 5) and a member of Phoenix Country Club. ^{citation needed]}

He has now been signed up to present the Breakfast Show on the UK's DAB only Planet Rock. He will be presenting it live from the US, starting on July 4. Beginning June 10, 2006, Cooper began presenting a Classic Rock show on Irish radio station Today FM.[4] Alice Cooper recently started broadcasting for a classic rock radio station in Philadelphia, WMGK, doing a weeknight show from 10pm-1am Monday through Friday.

On June 15, 2006, a campaign to get the Rock and Roll Hall of Fame to induct him was started by two German fans online at Myspace.com.This campaign was sparked by a column written on April 5, 2006 by Creem writer and official Cooper biographer Jeffrey Morgan in Metro Times Detroit. A previous attempt was made in 2004 by fan Robert Floto using an online petition which logged more than 2,700 entries before being mailed to the RRHF in July of that year. This earlier attempt was unsuccessful.

On August 26 to 28 2006, Cooper took part in an annual celebrity golf version of the Ryder Cup called The All*Star Cup in South Wales, UK. August 26 was practice day, August 27 and 28 were the two days of competition. Europe won the Cup for the 2nd year running. Cooper won his match on the first day, and lost his match on day two. Meat Loaf was a fellow member of the US team. The event was a big success, with large crowds attending, and the two main days of competition were shown live on UK television. The commentators made many references to Cooper being the best player and that he played six days a week back home in Arizona. Cooper clearly enjoyed the event and hopefully will return to play again in future years of The All*Star Cup.

Fans

In a 1978 interview with Rolling Stone, Bob Dylan stated, "I think Alice Cooper is an overlooked songwriter." ^[2] Marilyn Manson, too, has cited Cooper's influence--which Cooper himself often suggested was derivative, having quipped: "He has a woman's name and wears makeup. How original." Cooper also joked on another occasion about Marilyn Manson, saying, "A male singer, a woman's name, lots of theatrics. Boy, I wish I'd thought of that." Alice even went as far as to reference a line from The Empire Strikes Back during a televised interview with Craig Kilborn, stating "Marilyn, I am your father".

In the foreword to Alice Cooper's CD retrospective box set The Life and Crimes of Alice Cooper, John Lydon of The Sex Pistols—a fan of Alice—pronounced Killer as the greatest rock album of all time.

In 1999 Cleopatra Records released "Humanary Stew: A Tribute to Alice Cooper", featuring a number of rock and metal all-star collaborations.

Non-musician fans included artist Salvador Dalí, who on attending a show in 1973 described it as surreal, and made a hologram called First Cylindric Chromo-Hologram Portrait of Alice Cooper's Brain ^[3] a replica of which can be seen at the Dali Museum in St. Petersburg, Florida. Cooper and band members Dennis Dunaway and Glen Buxton studied Dali as art students at Cortez High School in Phoenix, Arizona. In turn, the cover art of Cooper's DaDa album features a version of Dali's "Slave Market with Disappearing Bust of Voltaire" painting.

Personal life

Alice married ballerina instructor/choreographer Sheryl Goddard in 1976, who performed in the Alice Cooper show from 1975 to 1982. They have three children: eldest daughter Calico Cooper(born 1981) is an actress, singer and has been performing in the Alice Cooper show since 2000; son Dash (born 1985) is an ASU student and plays in a band called Runaway Phoenix [5][6]; and youngest daughter is Sonora (born 1993).

After conquering his alcoholism, Cooper became a noted golf enthusiast, participating in several Pro-Am competitions. He has appeared in commercials for Callaway Golf equipment. He reportedly has a 5 handicap and plays 6 days a week. Since 1997, he has hosted an annual golf competition, the Alice Cooper Celebrity AM Golf Tournament. All proceeds from the event go to Cooper's charity, the Solid Rock Foundation. In August 2006, he participated in the Northern Rock All Stars Cup event - a celebrity version of the Ryder Cup, for charity.

Trivia

• Melody Maker magazine once published a satirical concert review of Cooper in the form of a mock obituary, causing confused readers to think he had died. Once he had been tracked down, Alice Cooper reassured them: "I'm alive, and drunk as usual".

• Alice Cooper performs "Welcome To My Nightmare", "You and me", and "School's Out" in The Muppet Show (episode # 3.7) 28 March 1978. He brings his own monster puppets and plays one of the devil's henchmen trying to dupe the Muppets into selling their souls.

• Cooper became part of Kyle MacDonald's one red paperclip project when he agreed to offer an afternoon with himself as a trade for one year of rent for an employee at his restaurant. ^[4]

• Alice Cooper has said that "I look at Mick Jagger and they're on an 18-month tour and he's six years older than me, so I figure, when he retires, I have six more years. I will not let him beat me when it comes to longevity." ^[5]

• In May 2004 Cooper received an honorary doctoral degree from Grand Canyon University.

See also

• Alice Cooper discography
• Alice Cooper filmography
• List of Alice Cooper personnel

External links

• Official website
• Alice Cooper's Internationally Syndicated Radio Show
• Alice Cooper Celebrity AM Golf Tournament
• Alice Cooper Tour Programs
• Alice Cooper at MusicBrainz
• Alice Cooper at Rollingstone
• Alice Cooper Bio at Project 80's Music

News and Interviews

• Podcast interview: "Snakes, Rock & Roll, & Britney Spears"
• "Honorary Ph.D. for Rocker Alice Cooper"
• Interview conducted by Maurie Sherman, CMP. Published Aug 23, 2006
• Alice Cooper by ITV

References

1. ^ As Cooper admitted in 2000 on the VH1 program "Behind the Music: 1972" http://www.roctober.com/roctober/behindthemusic3.html
2. ^ Cott, Jonathan (Jan. 26, 1978). "The Rolling Stone Interview". Rolling Stone.
3. ^ Salvador Dali's Hologram Portrait of Cooper
4. ^ One Red Paperclip blog entry
5. ^ Enough Rope re: Mick Jagger and retirement